July ‘21 Bulletin

CONTENTS

  • Swanage Regatta Results

  • Henley Women’s and Masters Regatta 2021

  • New Members

  • Building a Skiff

Swanage Regatta 2021

So fabulous to be back racing after so long… COVID isolation caused some last minute emergencies, but we finally made it ‘test negative’ to the beach with seven crews to compete…

Results as follows:

Men’s Masters 40 1st

Ladies Senior 3rd

Men’s Novice A 2nd

Men’s Novice B 5th in heat

Ladies Novice 4th

J16 boys 1st

J16 girls Quad- carbon quad blade snap DNF

Livvi Bull- Cox of the Day



Lena Mills- Silver Medallist at Henley Women’s Regatta

Lena, pictured here after winning the semi final in 6.01.00 and eventually finishing 2nd place in the final with a time of 5.52.60. Superb.Good luck to Tim Bull and Kenny Chalk at the Henley Masters event this weekend.

Lena, pictured here after winning the semi final in 6.01.00 and eventually finishing 2nd place in the final with a time of 5.52.60.

Superb.

Good luck to Tim Bull and Kenny Chalk at the Henley Masters event this weekend.



WELCOMING 23 New Members

Returning Ex LARC Members

Deb O’Dogherty

Nikki Penstone

Andrew Havard

Via Rowing Adventures Ltd Learn to Row

Sophie Boyd

Chris Scott Bowden

Sarah Gehlaar

Sarah Butters

Anna Tyson

Alison Longley

Lukas Perry

Lucy Webb

Maddie Curry

Salvador Myers

Reg Ogbert

JLARC

Alex Bellion

Tom Bellion

Tom Williams

Patrick McCabe

Henry Chisnall

Freya England

Rufus Rose

Issy Wakeley

Lexi Willford


…Pending

Maddie Duffin

Levena Contreras

Ted Ward

Max Miramont

Richard Marshall

Emma Hill

Sam Hill

Lisa Higgins

Clare Sherred



Building a Sculling Skiff

By David Gredley 

I am one of the ‘Rowing Sailors’ who recently joined the LARC. Rather than using club  boats I thought I’d have a go at building my own skiff and looked for a suitable design  online. I found that there are many to choose from and I decided on Chesapeake’s Light  craft’s Oxford Shell II. For those of you who’ve contemplated the idea of building your own  boat you might be interested in hearing that it’s entirely feasible with even just average  home woodworking tools and knowledge as I seek to explain. 

At the Lyme Regis Boatbuilding School which I attended for nearly a year’s course in 2002  and where I started building and learning how to build my Nordic Folkboat ‘Lady Linda’, I  remember one of our instructors, the great Jack Chippendale, advocating the advantages  of the ‘stitch and glue’ boatbuilding process for small boats. The very expression ‘stitch  and glue’ didn’t carry much appeal for me at the time, it sounded a bit ‘Micky Mouse’  especially compared to the established traditional boat building techniques we were being  taught at the time. I was wrong to doubt it. Now I’ve built a rowing skiff using the stitch and  glue technique I know that the method has a lot going for it. The technique was pioneered  by boatbuilders such as Jack Chippendale and Ken Littledyke in the late 1950s. Many  sailors will have sailed or even had a hand in building the ubiquitous Mirror Dinghy which  was offered by TV’s DIY presenter Barry Bucknell and the famous boat designer and  builder, Jack Holt all promoted by the Daily Mirror. The red sails were a nod to the Daily  Mirror’s ‘red top’ reputation.  

It all came together when last year I joined the Lymington Amateur Rowing Club and I’m  learning how to scull properly in a quad which is four scullers and a cox. As an aside I  have branched out into a single training scull and have become very interested in the  concept of single sculling. Rowing is a fascinating sport involving precise technique and  balance in propelling the boat as fast and efficiently as possible through the water at the 

same time as steering facing the wrong way, I recommend it. Amateur rowing is a growing  sport and indeed coastal sculling has been included as a new event in the 2028 Olympics.  Rather than borrowing club boats, I thought it would be nice to have a boat of my own and  I decided to build a single scull suitable for the Lymington River and the close inshore  

Solent conditions. I researched what was around and found a wide range of various river and coastal sculling boats available in kit form, mainly from North East American  designers. Having learnt how to build a boat from scratch using traditional techniques, I  decided that it was unnecessarily expensive to go down the kit route and so I decided to  buy the drawings and guidance manual of an Oxford Shell MkII which has been developed  by Chesapeake Light Craft through their UK supplier, Fyne Boat Kits who are based in  Kendal in the Lake District. Fyne Boats couldn’t have been more cooperative and helpful.  Of course there is a significant cost saving over buying the entire kit, however  the great advantage a kit has is that the various components comprising panels/planks,  coamings etc. are laser cut precisely to shape, whereas with just the drawings and the manual, it is necessary to cut out the many shapes from drawings which takes quite a while  as I describe below.  

The Oxford Shell MkII has a length of 6.350M. and a beam of 0.533M. and weighs only 18  kgs. without the hardware which comprises the sliding seat, seat rails, outriggers etc. and  so is a one person lift which means it is easily transported it on a car’s roof rack. I bought the required 3mm and 6mm top quality marine ply from Robbins Timber in Bristol and I bought the Epoxy and fibreglass matt and tape separately.  

To envisage what the rowing shell comprises, think of a long cigar tube which is formed  from six longitudinal planks forming the hull and the deck, all joined together along their  long edges with an integral space formed just aft of midships for the cockpit. To form the  shape which tapers at each end, the planks are laid inside seven upright moulds which are fixed on a long low construction table at precise stations along the boat’s length.

Step 1 is to join three 3mm. 8 foot x 4 foot ply boards to form lengths of ply 7.5M. long for  the long planks using a 25mm scarf joint along the 4 foot edges of each boards. This is  tricky as 3mm. ply is bendy and it is necessary to get the scarfs to fit evenly and precisely.  I used Recorcinol marine glue to glue the scarfs. To work on, I needed a flat level table at  around knee height. I built a long table around 7.5 M. long using 20mm. shuttering board  clamped down to two sections of an aluminium ladder clamped down to trestles.  



Step 2 is to lay the drawings on the ply and with a sharp point, prick the shapes through  leaving dot/prick marks on the ply. Joining the dots gave the shape of each of  the six planks which I cut out using a Japanese pull saw. This is a saw which cuts on the  pull instead of the push as in traditional European saws, and so is ideal for following a  pencil line in thin material. I tidied up the sawn edges with a low angle blade block plane.  The low angle of the blade planes much more cleanly than a conventional plane. Of  course the edges of each plank are joined at an angle to each other to form the shell’s  cigar tube shape which requires a 45 degree bevel to be formed along the long edges,  again I used a block plane to cut the bevels. 

Adopting the same process, step 3 is to cut the seven moulds which each have a top and  bottom half out of the 6mm ply which need not be marine grade as they are eventually  discarded. 

Step 4 is to similarly cut out the other structural parts of the shell from the ply, for example  the cockpit deck, three bulkheads, cockpit coaming, forward coaming, skeg, transom, foot  stretcher assembly. 

The shell is constructed by separately building the top and bottom halves which are  eventually joined together like a clam.

The top and bottom halves are built by fixing the planks inside the moulds which are fixed  vertically and accurately on their precise stations on the construction table and then laying  the planks which form the shell’s top and bottom halves so that their bevelled long edges are touching.

Then the magic begins. Step 5, 18 gauge copper wire stitches are used at approximately 50mm  centres by threading the wire through pre-drilled small holes thus, stitching the edges  together, first loosely until the edges are perfectly together and then tightly by twisting the  copper wire using pliers. Thus, the chines are formed. To control the shape, the planks are  similarly stitched to the moulds. An alternative to copper wire is to use thin cable ties, but  they require slightly bigger predrilled holes and once the cable ties are tied they cannot  then be loosened only tightened which is no good. 

Step 6 is to spot weld the edges together using a Cyanoacrylate glue commonly known as  ‘superglue’ with glue spots at approx 40mm. centres. Once the glue has cured in around  10 seconds, the copper wire stitches are removed and a fillet of thickened epoxy with the  consistency of peanut butter, is applied to the inside of the spot welded planks. Wiping a  neat even fillet of thickened epoxy is tricky. After a few mishaps, I eventually hit on an  efficient process which is to first stick lengths of low tack masking tape around 15mm from  each edge, thus controlling the spread of the fillet. After removing the tape the next step is  to smooth off the fillet and to run a length of fibreglass tape along the seam which is  wetted though with unthickened epoxy. The entire joining process from copper stitching to taping is shown in an illustrative mock up I made.  

Step 7 is repeat this process for the top half of the shell. The two halves are stiffened in  appropriate positions with seven bulkheads or stiffeners. 

Step 8 is to join the top and bottom halves of the shell together like a clam which is when  the fun starts. The top half is lined up with the bottom half so that all plank edges are  meeting. Keeping the two halves separated with a 50mm gap using small blocks of wood, l 

stitched together the top and bottom halves using loose stitches of copper wire again  threaded at around 50mm centres. Once the top and bottom halves are lined up precisely,  the loose copper wire stitches are gradually tightened bringing the edges of the two halves  together whilst ensuring that the outside of the chines are perfectly lined up and flush. As  before, the seams are spot welded with superglue and the copper wire stitches removed. It is not possible to reach in far enough to wipe a fillet of thickened epoxy on the insides of  the now joined up shell.

Step 9 is to run fibreglass tape along the insides of the seams by soaking the tape in  epoxy and pushing it along the insides of the seams whilst keeping the tape running as  straight as possible. Once the wet tape has started its run it develops a mind of its own  and is very difficult to get the tape back online if it wanders offline. I found using a stiff long  lightweight push stick was the best method to tease the tape along. Time is of the essence  here as the epoxy will start going off in about 20 minutes even at a low room temperature  and even quicker if warmer. 

Step 10 is to clean up the outsides of the newly formed chines between the planks and to  proceed to construct the cockpit deck, foot stretcher, coaming, breakwater and stiffeners  ready to receive the outriggers. 

Step 11 is to fit the small transom and the skeg. 

The whole construction is now stiff and the final step is to wrap the whole hull in fibreglass  cloth a piece at a time by cutting the cloth to shape, laying it on a section of the hull and  wetting the cloth through thus sticking it to the ply. Using peel ply helped give a flat surface  to the epoxy. Peel ply is a thin shiny fabric which is rolled onto the epoxied fibre glass cloth  whilst the epoxy is still wet and then peeled off after the epoxy has cured which leaves a  flat more or less paintable surface. 

Step 12 was to choose whether to paint or varnish the hull. I was not convinced that I’d  achieved a sufficiently blemish good enough to varnish finish and so I decided to paint the hull with single pack polyurethane grey primer which made the long slender hull look like a torpedo.

The final construction is to make the foot rest and sliding seat. The sliding seat is a  complex shape which I copied from an existing seat and I made one from a blank  comprising glued together shapes of marine ply and applying several coats of clear epoxy. 

I painted the boat Dark Blue and fitted her out with outriggers, sliding seat and foot board  all from Neaves in Studland and who were very helpful indeed. I managed to find a pair if  blades in very good condition which Pete kindly sold me. I’ve had around six tentative  outings so far and she sculls like a dream and there are no leaks. It’s good to be sculling  along in a self built vessel and if anyone is minded to have a go themselves, I’m very  pleased to assist where I can. 

David Gredley  

June 2021  


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Colin Fagan Spring Head- June 6 2021